Bandcamp Adds “Labels” to Service Offerings

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Independent musician service Bandcamp rolled out a new service at the end of 2014 aimed at attracting independent record labels. The new “Bandcamp for Labels” adds a more transparent accounting and stats service that allows all artists within a single label to monitor their uploads and other online activity.  Other services within the new platform offer a single fulfillment interface for merchandise sales, direct payments on a per release basis and Bandcamp Pro-level accounts for all the label’s artists. Sub Pop, Ninja Tune, Daptone and Truth and Soul are among the labels already using the new platform.

Considering the surge in self-released and split-vinyl releases, the new service can help streamline promotions and aggregate sales for musicians under the same label. Bandcamp is offering the service at $20 per month for up to 15 artists or $50 per month for an unlimited amount of artists.

Can Myspace Survive?

Justin Timberlake brought sexy back, but can he do the same with Myspace?

I’m an American, which means I love a good comeback story (especially when the resurrected second-time hero has the potential to lend a hand to independent musicians and bands.)  Whenever there’s a down-and-out soul  on the verge of slipping into oblivion, my American-born empathy for a second chance rises to the surface.

There was a time when Myspace appeared to be gasping for its last breath, drowning in the sea of social networks.  But it seems the once sinking social platform has been thrown a lifeline from Justin Timberlake .  Purchased in June by  Specific Media ( Timberlake’s media investment group) from Ruppert Murdoch scandal-ridden NewsCorp, the once down and out social network is receiving a facelift, but what, exactly, will Myspace look like when the bandages come off? Colin Petrie-Norris, the international director of Specific Media hopes to take Myspace back to its music roots by using Timerlake’s star power to attract other big name musical acts.  The full revamp will attempt to bring commercial entertainment more online real estate, while still having to cater to other lesser known artists.  It appears that Fox still has a hand in the direction of the social network as Fox Digital Studio has just announced they will distribute a 7 episode comedy show  exclusively on Myspace.  But where does this leave the struggling indy bands trying to get a foothold?  It appears that the focus of “music” has left the little guy behind.

In the early and mid 2000’s, having a Myspace page was an obligatory marketing tool for independent musicians, but artists have followed their fans over to Facebook and shifted their marketing efforts to more music-oriented websites like Bandcamp.com and Reverbnation.  As the Myspace team re-purposes the ailing social network by injecting a heavy dose of corporate commercial entertainment into the mix, it feels like the indy musician is once again getting pushed aside.  But does it matter?  The digital landscape has more fertile soil for the independent musician than Myspace.  Perhaps only time will tell if the new-and-improved Myspace will be a contender again in the social network arena.  The fierce fight for social media users may be aimed more at the consumer than at the indy musician.  I love a good comeback, but I certainly don’t know if there is one on the horizon.

Happy New Year from The Cloud (Pt. One)

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Taking time out over the holidays to visit friends and family in the US, I managed to have a few conversations with different musicians and what I’ve quickly learned is that there are a lot of choices available when it comes to getting their music out there. In lieu of radio airplay which can be unheard of for certain styles of music, the “cloud” is the de facto place that hosts music. Because this post could get excruciatingly long, I am going to break it up into different parts.  Welcome to part one.

I was going to reserve an entire post for itunes and I may revisit it later, but one can not talk about hosting music in the cloud without talking about itunes’s contribution.  Whereas music was once bought, sold and traded as a tangible formats (CD’s, tapes, vinyl records), now a single song takes up virtual space on a server  in Silicon Valley and can be downloaded in an instant.  But in order to be a partner with itunes musicians must enter into agreement that shares rights with Apple on all downloads and meet stringent requirements (like a 20 album catalog!)  But I don’t want to turn this into a itunes post.  My goal is to cover just a few of the other cloud hosting spots for music.

Youtube is also another good source for musicians to post their music. ( I’ve created a page that has some of my favorite videos here.)  Although some bands can’t afford to produce a music video they can simply post a picture of the band or of their album cover (or even a video of the song being played on a turntable) while the song plays.

Soundcloud not only allows musicians to upload their music but record directly onto their “cloud.” The sounds canthen be shared private publicly or posted to social network platforms.  Musicians can also join groups within the website and communicate with other musicians or fans.

Bandcamp is quickly becoming a favorite among artists.  It is a site that allows bands to truly “own” their space.  Bands can create the look of their page, upload their music and videos, host comments, etc.  Bandcamp also doesn’t have awkward ads and links that clutter up the artists’ page.  The website earns a 15% commission on all sales from the artists’ sites.

And with that, I’ll end part one.  Next time, more cloud.